Announcing HOUSE OF SKIN: A Tribute to the films of David Cronenberg (2018)!!

Brief/Primer for HOUSE OF SKIN: A Tribute to David Cronenberg’s Films.

Hey, Dave K. here. You might know me as A Fiend On Film or you might not know me at all (probably the latter). After publishing two successful film based fanzines, Hara-Kiri: Extreme Asian Films (2016) and FIENDISH (2017), we are going for a 3rd in 2018. It will have one theme and that is to celebrate the films of David Cronenberg. Everybody usually waits for someone to die before they start looking back on their life, I wanted to put together something that celebrates a career while they are still alive.

David Cronenberg has a long and very solid history making films since the late 1960’s. I personally consider him to be the most consistent of all genre directors out there. While I have not personally seen every single film he has worked on (that is one of the reasons I am setting this up), all the ones I have seen I rate pretty highly (Crash is my favorite). He has always been interesting.

So here is what I am asking you to do, write about his films, either a single one or a few. I am looking for more long form writing this time out but don’t let that scare you off. Write what you feel. For me, I plan on watching films of his I missed and put them into one long form article. You can do the same if so desired. The writing can be new or if you have done something on an old blog/website but never saw print. I know I have many returning writers for this project though I really would welcome some new blood (or flesh)…

I would like to also see some artwork based on these films. Either direct representations or “inspired” form. It would have to be something that can be replicated in black and white well.

The fanzine itself will be 8 1/2/ x 11 inches B & W with a color front cover.

This is an all volunteer project. I cannot pay for any material but all people who respond with writing/art work, etc. will get a printed copy when it is released in January 2018. This will also be available a PDF for screen and to print. It can be as big as we can get it, I would like to shoot for 100 pages.

I would like to have all material in by December 1st 2017.

If you have any questions, please contact me at: Grandnagus69@yahoo.com with “HOUSE OF SKIN” in the subject line.

 

house of skin promo 1 color

FIENDISH PICKINGS WEEKLY #2 4/9/17

articles

Blood and Beauties – An Interview with Death-Scort Service Part 2: The Naked Dead Director Sean Donohue

The beginner’s guide to Italian exploitation cinema by Den Of Geek (contributed by Mando Ayala)

The films of Radley Metzger

6 Reasons Why “Kagemusha” Is Akira Kurosawa’s Late Masterpiece by Panos Kotzathanasis

CGs Film Reviews

From a House on Willow Street (2016) yeah this was not a good film. There are some great practical effects and creature design but its mixed with laughable CGI effects and characters that are so paper thin and just plain stupid.

The films starts out introducing our characters and their backstories just so they can then be used against them later on. The first half of the film is mainly characters walking around in the dark followed by jump scares. We then get an exposition dump that slows the film to a crawl followed by a third act that ramps up the action and gore.

The last act is where the film is at its best but the characters are so underdeveloped and uninteresting that it just didn’t grab me. I could see some people really enjoying this but not me. 2.5/5 stars.

Galaxy of Horrors 1h 45min | Horror, Sci-Fi | 2017 (Amazon VOD)

A horror/scifi anthology that reminded me of the film released last year called Patient Seven which was created by grabbing international shorts and creating a wrap around story to loosely tie them all together. As with any anthology you will always have a mixed bag with some shorts being strong, some being okay and some being terrible. Here’s the breakdown:

Eden – 2.5/5, IRIS – 4/5, Pathos – 3/5, Flesh Computer – 2/5, Eveless – 1/5, They Will All Die in Space – 4/5, Entity – 3.5/5, Kings – 3/5, Wrap Around Story – 1/5

There are some really strong highs and some really low lows. So overall I had a fun time but each story is very different from each other. 3.5/5 stars.

Quarries 1h 23min | Drama, Horror, Thriller | 2017 (Amazon VOD)

This has to be one of the most generic backwoods horror films I’ve ever seen. Our group of women are all one note cliches and our villains are the most boring cookie cutter redneck family.

Everything just happens in the most boring way possible as there is no build of suspense and our so called threat is dispatched with relative ease. It doesn’t get more middle of the road than this. 2/5 stars.
Alleluia (film) 1h 33min | Crime, Horror, Romance | 12 November 2014 (Belgium)
A very disturbed woman goes on a date with a man who she discovers is a scam artist and has issues of his own. She quickly becomes obsessed and it all spirals out of control from there. Based on a true story this is a very dark and gritty film that has a very 1970s feel. 3.5/5 stars.

A Room to Die For 18A | 1h 24min | Horror, Thriller | 2017 (Amazon VOD)

This is a pretty terrible film. We then are given flashes of whats to come within the first 5 mins so this undercuts any suspense of what may happen. The performances are not good all around.

The young couple are pretty unlikable right from the start especially the boyfriend and the older couple are so uninteresting so we can’t engage with them either. What happens in the film is supposed to generate some kind of emotion but all I felt was sorry for the actors involved in this film.
Avoid! 1/5 stars.

videos

The Hills Have Eyes (1977) – Arrow Video Limited Edition Blu-Ray Set Unboxing! by deadbydawn93

DEATH-SCORT SERVICE PART 2: THE NAKED DEAD (2017) teaser trailer

Amy Heckerling’s Criterion Closet Picks

So’s Film Diaries #1 | TAKE ME INTO THE MATRIX | FILM VLOG by So’s Reel Thoughts

AllScreamingEye: The Greasy Strangler review by Gore Hounds

podcasts

Zach’s Ceremony, Ghost in the Shell and A Man Called Ove on Plato’s Cave – 03 April 2017

Dark Discussions Podcast Episode 278 – The Belko Experiment

THE LAST KNOCK presents: THE EYES OF MY MOTHER (2017)

POST MORTEM WITH MICK GARRIS with Walter Hill 3/29/17

sponsors

Gore Noir Magazine

Grindhouse Video Tampa

Cavity Colors

ASIAN FILM MONTH April 1st-30th 2017

Well, it is going to be a theme month once again in The Magnificent World of Dave K. As I attempt to watch 365 films this year (most of which that I have never seen before), in the month of April 2017, I will be viewing only Asian films of various genres, concentrating on more sleaze and exploitation this time out. Daily, I should be doing a round up of other links and reviews that catch my eye plus the films that some of my film buddies see. It’s pretty loose this time out, just let me know if you do a review, a video or just mention a film you have seen. Now a small round of film posters I gathered…

Follow me on Twitter: @AFiendOnFilm

COEURS NOIRS Day 30: Gut (2012)

Gut (2012) film/Bluray thoughts… This choice for my COEURS NOIRS closer might be confusing to some, as it it always promoted as a horror film. The truth is Gut, directed by Elias is a psychological horror/neo-noir. One of my favorite indie films in years, Gut recently had it’s Bluray debut and I wanted to give it a once over again.

Tom is married with a young daughter but is “looking” for some else to make his life more fulfilling. The grass somehow is greener on the other side of the fence. His childhood friend, Dan, who he works with and is quite clingy, is upset they don’t spend time together anymore. Tom says he pretty much has moved on from “hanging out”, but Dan will not let it go. He tells Tom about a “film” he got off the internet and he has to view it, he has never seen anything like it. Since they used to like horror films together, Tom pretty much gives in. The “film” is a semi clothed woman strapped to a table who proceeds to have a scalpel cut methodically into her stomach area and is seemly killed. Tom can’t believe what he has just seen and tells Dan he is nuts. But sadly, Dan is a tad unstable and will not let his relationship with his old friend go.

Gut is dark and moody. While it’s a lower budgeted affair, all players and the director pull out all the stops to make this film extremely good. Jason Vail plays Tom as basically having a partial mid life crisis in his late 20s, becoming obsessed and trapped into the world of what is on the discs. Nicholas Wilder’s Dan reminds me of someone in my past, so I was able to relate to this character. I do also have to note the experimental music of Chvad SB, especially the end title theme, it sets the tone for this film completely. It’s bleak. Do order the Bluray of it if you can, the DVD is still available and of course GUT is on most VOD services.

 

 

 

COEURS NOIRS Day 23: The Ninth Gate (1999) Review by Kim McDonald!

I don’t usually watch film noir, but I was intrigued to see THE NINTH GATE included on a genre list. I love this film so I gave it another watch, and yes, it definitely qualifies. Then again, if film noir is about pessimism and fatalism, one could argue most of Polanski’s work qualifies. And what could be more fatalistic than trying to conjure the Devil?

The film is based on the book “El Club Dumas,” written by Arturo Perez-Reverte. It follows Dean Corso, played by Johnny Depp, a rare book dealer who is commissioned by collector Boris Balkan, (Frank Langella,) to authenticate his copy of an obscure occult book, “The Nine Gates of the Kingdom of Shadows”. He managed to get it from another collector, Telfer, before his suicide. Now Balkan wants Corso to compare his copy with the only other two copies that exist. This book is supposed to conjure the Devil, but as Corso jests, He didn’t show up.

Corso immediately realizes this is no normal job and this is no normal book. As he travels to Portugal and France to hunt down the other two copies, he finds himself being pursued by Telfer’s “dishy”, but viscous, widow (Lena Olin,) who has a secret interest in retrieving her husband’s book. He also has The Girl, (Emmanuelle Seigner.) She is his tag along/protector, who seems to have a secret interest in helping him succeed. As he is able to compare all three copies, he stumbles upon a hidden code unknown to any of their owners and finds himself drawn into a mystery that leaves dead bodies everywhere he goes.

Telfer’s widow calls Corso a “book detective,” and the film does remind me of the old Bogart movies. In one scene, we see Corso’s apartment with a desk against a window and the neon light from a street sign is shining through the blinds. The color scheme is subdued with earthy browns, blacks and greens. It’s like a mystery set in a labyrinthine library; one with Satanists waiting for you behind the stacks.

Polanski co-wrote the screenplay with John Brownjohn and Enrique Urbizu. The dialogue is
clipped and full of caustic wit, punctuated by a lot of smoking and drinking. It is especially fun watching Depp and Langella bouncing off of each other. The sets are wonderful; tucked away, unassuming places in the middle of beautiful locations. They add to the feeling of a very old menace that has been lurking in the dust, biding its time.

Corso is a typical hard boiled detective type who doesn’t buy into the Satanist agenda. Books are a commodity to be bought and sold; as he tells Balkan, “I believe in my percentage.” As the film progresses, he realizes he can’t walk away, even though The Girl encourages him to many times. In the end, it doesn’t matter if you believe in the Devil if She falls in love with you.

 

Do follow Kim on Twitter: https://twitter.com/dixiefairy